stacjonarne

Through the specific analysis of some significant works by Ungaretti, Pasolini, Testori, Eco, Tamaro and others, the spiritual evolution of Italian culture from the early twentieth century to the present day is synthetically outlined. The course includes critical readings and interpretations, with the aim of highlighting the Christian roots of modern Europe: equality and respect for merit, brotherhood on an individualistic and democratic basis, tolerance and freedom. The main themes of the analyzed literary examples are compared with the fundamental model for modern Italian fiction: ” I promessi sposi ” by Alessandro Manzoni. The course covers two optional periods (A- from 1945 to 1980; B- from 1980 to the present time). 

Through the specific analysis of some significant works by Ungaretti, Pasolini, Testori, Eco, Tamaro and others, the spiritual evolution of Italian culture from the early twentieth century to the present day is synthetically outlined. The course includes critical readings and interpretations, with the aim of highlighting the Christian roots of modern Europe: equality and respect for merit, brotherhood on an individualistic and democratic basis, tolerance and freedom. The main themes of the analyzed literary examples are compared with the fundamental model for modern Italian fiction: ” I promessi sposi ” by Alessandro Manzoni. The course covers two optional periods (A- from 1945 to 1980; B- from 1980 to the present time). 

Zapoznanie studentów z podstawowymi zagadnieniami współczesnej włoskiej literaturymasowej, w tym z różnymi pododmianami: sensacyjno-awanturnicza, pododmiana detektywistyczna i czarny kryminał.

Zapoznanie studentów z podstawowymi zagadnieniami współczesnej włoskiej literatury masowej, w tym z różnymi rodzajami powieści: pododmiana powieści „il Blu” i pododmiana „il Rosa”, czyli romans.

Through the specific analysis of some crucial works, the spiritual evolution of art in Florence and in other Italian centers during the Renaissance, Mannerism and the Baroque period is synthetically outlined, developing descriptive and interpretative skills in a geographical, historical-social sense, philosophical and theological. Particular attention is dedicated to the study of the works of Brunelleschi, Masaccio, Donatello, Paolo Uccello, Botticelli, Filippo and Filippino Lippi, Giovanni Bellini, Piero della Francesca, Antonello da Messina, Leonardo and his Milanese pupils, Sodoma, Tiziano, Paolo Veronese , Michelangelo, Tintoretto, Caravaggio and Giuseppe Sanmartino.

Through the specific analysis of crucial masterpieces, the spiritual evolution of sacred Italian art is synthetically outlined from the ancient period (Nuragic, Greek, Etruscan, Roman, early Christian) to the medieval Christian period (Byzantine, Romanesque and Gothic), developing descriptive skills and interpretative in a historical-social, philosophical and theological sense.

Celem zajęć jest zaznajomienie studentów z podstawowymi elementami historii kinematografii włoskiej. W szczególności będą omawiane niektóre kwestie dotyczące relacji pomiędzy kinem a historią kultury włoskiej (sposób przedstawiania, przemysł kulturowy, związki z innymi formami ekspresji).